Role: Curatorial Assistant

Since the mid-1970s, Dawoud Bey (b. 1953) has worked to expand upon what photography can and should be. Insisting that it is an ethical practice requiring collaboration with his subjects, he creates poignant meditations on visibility, power, and race. Bey chronicles communities and histories that have been largely underrepresented or even unseen, and his work lends renewed urgency to an enduring conversation about what it means to represent America with a camera.

Spanning from his earliest street portraits in Harlem to his most recent series imagining an escape from slavery on the Underground Railroad, Dawoud Bey: An American Project attests to the artist’s profound engagement with the Black subject. He is deeply committed to the craft of photography, drawing on the medium's specific tools, processes, and materials to amplify the formal, aesthetic, and conceptual goals of each body of work. Bey views photography not only as a form of personal expression but as an act of political responsibility, emphasizing the necessary and ongoing work of artists and institutions to break down obstacles to access, convene communities, and open dialogues.

Dawoud Bey: An American Project is co-organized by the Whitney Museum of American Art and the San Francisco Museum of Modern Art. The exhibition is co-curated by Elisabeth Sherman, Assistant Curator at the Whitney, and Corey Keller, Curator of Photography at SFMOMA.

Generous support for Dawoud Bey: An American Project is provided by The Andy Warhol Foundation for the Visual Arts.

Significant support is provided by the Phillip and Edith Leonian Foundation and the National Endowment for the Arts.

In New York, the exhibition is sponsored by Bank of America.

Generous support is provided by Judy Hart Angelo, the John R. Eckel, Jr. Foundation, and the Whitney’s National Committee.

Major support is provided by the Philip and Janice Levin Foundation.

Significant support is provided by The Anne Levy Charitable Trust and Jean L. Karotkin and public funds from the New York City Department of Cultural Affairs in partnership with the City Council. 

Additional support is provided by Susan and Arthur Fleischer, Gregory and Aline Gooding, Renee Harbers and Christopher Liddell, Marina and Andrew Lewin, Wynnell Schrenk, and Patricia Villareal and Tom Leatherbury.

Installation view of Dawoud Bey: An American Project (Whitney Museum of American Art, New York, April 17-October 3, 2021). From left to right: A Couple in Prospect Park, Brooklyn, NY, 1990; A Woman at Fulton Street and Washington Avenue, Brooklyn, NY, 1988; A Man at Fulton Street and Cambridge Place, Brooklyn, NY, 1988; A Young Man Resting on an Exercise Bike, Amityville, NY, 1988; Max, Celia, Ramon, and Candida, New York, NY, 1992; Martina and Rhonda, Chicago, IL, 1993. Photograph by Ron Amstutz 

Public Program

Join assistant curator Elisabeth Sherman and curatorial assistant Ambika Trasi for an overview of the exhibition Dawoud Bey: An American Project. For more than four decades, Dawoud Bey has used the camera to create poignant meditations on visibility, power, and race, chronicling communities and histories that have largely been underrepresented or even unseen. The exhibition traces continuities across Bey’s major series, from his earliest street portraits in Harlem through his most recent project imagining an escape from slavery on the Underground Railroad.