A Space For Monsters

MARYAM HOSEINI - KAVERI RAINA - ANJULI RATHOD

February 5–April 11, 2021

Twelve Gates Arts, Philadelphia

Role: Curator

Twelve Gates Arts is honored to present A Space for Monsters, a group exhibition curated by Ambika Trasi, featuring works by Maryam Hoseini, Kaveri Raina, and Anjuli Rathod. The exhibition draws its inspiration from Bhanu Kapil’s Incubation: A Space for Monsters, wherein she writes, “the monster is that being who refuses to adapt to her circumstances.” 

Through painting, sculpture, and drawing, the artists work between abstraction and figuration to depict monsters: shapeless, fragmented beings who are part-human and part- animal, cyborg, or shadow; who roam freely between and across normative boundaries of being and simultaneously exist in states of liminality and opacity. The works in A Space for Monsters map the emotional landscapes of these non-subjects to illustrate how internal hierarchies, inner-turmoil, and self-intimacy play into processing grief, anxiety, dislocation, and precariousness. For these beings, monstrosity is a poetic voice and means to work through the incomprehensible, counter rigid notions of expression and understanding, and resist projected identities. On the other side of this period of incubation lies the promise of radical transformation.

In Maryam Hoseini’s installations, femme figures are flattened and pieced together from ruins. They stretch across narrative and historical boundaries, pushing against the violences and vocabularies that have long been projected onto them to give way to new possibilities of representation. Her works extend beyond the boundaries of her boards into the gallery space, underscoring the notion that one has the potential to overcome internal hierarchies and exceed perceived limitations. Kaveri Raina’s new series of graphite drawings on board, Untitled (No Lacks), considers the relationship between the self and shadow while in isolation and through the distorting lenses of mirrors, windows, and screens. In these works, the shadow is examined as both part-of and separate-from the self, familiar yet dangerous. Anjuli Rathod’s flashe paintings utilize color and abstraction to depict the disorienting and transformative experience of grief. Evoking the atmosphere of Kapil’s Incubation: A Space for Monsters, Rathod’s paintings follow the cyclical journey of a character that she calls “Red.” In the paintings on view in A Space for Monsters, Red finds herself in a state of crisis, then cocooned in a period of stasis, after which she becomes a transcendent being who exists between the physical and spiritual worlds. Meanwhile, Rathod’s ceramic sculptures, which are glazed in elemental colors, resemble intestines. To the artist, processing is like digestion: slow, fundamental, and winding. 

Twelve Gates Arts is pleased to welcome back guest curator Ambika Trasi. Trasi first partnered with Twelve Gates as the managing director and curatorial assistant at Asia Contemporary Art Week (ACAW). She is an artist, arts organizer, and writer based in Brooklyn, NY. Her multidisciplinary practice reveals the coloniality of power within images and sites. Trasi is currently a curatorial assistant at the Whitney Museum of the American Art, where she co-curated the exhibition, Salman Toor: How Will I Know (November 13, 2020 - April 4, 2021). As a curator, Trasi shares Twelve Gates’s passion for engaging emerging voices as artistic exponents in our ever-changing cultural and political landscape.


Public Program: Artists in Conversation

In conjunction with A Space for Monsters, Maryam Hoseini, Kaveri Raina, and Anjuli Rathod speak about their use of abstraction and color in their work, the relationship between self and shadow, and the alchemical nature of processing. *Note: Recording begins a few minutes into the program.


Bhanu Kapil, Now that it's too late: Incubation: A Space for Monsters

As part of the exhibition A Space for Monsters, Ambika Trasi and Twelve Gates Arts are pleased to present an audio contribution from Bhanu Kapil.

These notes were recorded at dusk, in England, on the grounds of Churchill College (Cambridge), on the last day of March 2021. I'm reading from new essays that comprise "the back" of a new edition of Incubation: A Space for Monsters. Hello, artists. I made this recording for you. Thank you for your own gestures, which were not too late. They crossed time, they made time, they stopped time. They were timely. Here in the accompanying note, it feels possible to say something else, to use first names, to write on the floor. Only writing this note, do I remember, actually, that this is how I wrote the book (as it was). I'd drop my son off at pre-school, drive home, strip down, wrap myself in a table-cloth, drink a tablespoon of espresso, sit on the floor and write. It was an anti-maternal ritual. My son is twenty now, yet here I am, sitting on the earth as the tawny owls initiate their chorus, and the daffodils close their astonishing beaks. You should have seen it! I burst out of the house to be outside, and then to sit down, to make this recording for you. This is all I know about art. This is all I know about the night.                             

— Bhanu Kapil

About the artists

Maryam Hoseini (b. 1988; Tehran, Iran) earned a BA from Sooreh Art University in Tehran, Iran and dual MFA degrees from the School of the Art Institute of Chicago and Bard College, NY,  simultaneously (2016). Recent solo and two-person exhibitions include: After You, Green Art Gallery, Dubai (2020); Yes Sky, Rachel Uffner Gallery, NY (2020); Body Armor, MoMA PS1, NY (2018) and Of Strangers and Parrots, Rachel Uffner Gallery, NY (2017). She has participated in group exhibitions at Deborah Schamoni, Munich, Germany (2020); The Shed, New York (2019); Ca’ del Duca, Venice, Italy (2019); 56 Henry, NY (2019); The Arts Club, London, UK, (2018) among others. The artist lives and works in Brooklyn, NY.

Kaveri Raina (b. 1990; Delhi, India) lives and works in Brooklyn, NY. She was born and raised in New Delhi, India and moved to the United States at the age of eleven. She received her BFA from Maryland Institute College of Art in 2011, her MFA in Painting and Drawing from the School of the Art Institute of Chicago in 2016, and studied at the Skowhegan School of Painting and Sculpture in 2017. Raina has received various awards and fellowships including the James Nelson Raymond fellowship, Fred and Joanna Lazarus Scholarship, and was recently nominated for the Joan Mitchell Foundation Painters and Sculptors grant. Raina’s work has been exhibited in the US, India, and Germany. She had her first international solo exhibition in March 2019 at Annarumma Gallery, Naples, Italy, and had a solo show at Assembly Room, New York, NY this past spring, 2019. Summer 2019 she exhibited at Luhring Augustine, in New York. She opened a solo exhibition at Patron Gallery, March 2020 and currently has a solo exhibition up at M+B gallery in LA.

Anjuli Rathod (b. 1987; Norristown, PA) lives and works in New York. She attended the School of the Museum of Fine Arts, Boston. She has participated in residencies at The Millay Colony of the Arts, the Studios at MASS MoCA, and the Shandaken Project. She has recently had solo exhibitions at Y2K Group, New York and Interstate Projects, Brooklyn, two-person exhibitions at Projet Pangeé, QC and Safe Gallery, NY, and group exhibitions at Kristen Lorello Gallery, New York; Rubber Factory, New York; Tiger Strikes Asteroid, Brooklyn; Selenas Mountain, Brooklyn; Knockdown Center, Queens.

Press:

“Magical and visceral, 12 Gates Arts embraces ‘A Space for Monsters” — Corey Qureshi for Artblog

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Maya Varadaraj: No Feeling is Final (2023)

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Salman Toor: How Will I Know (2020–2021)